How much is too much?
Saturday March 19, 2011 | By Hieronymus Hawkes | Editorial
You know, I have a lot of respect for authors that can write wonderful prose. I know I’m not one of them, but not for a lack of trying. I think they have a gift for using picturesque words and putting them together just the right way to evoke an image in your mind. The really good ones make it so it’s hardly like reading at all, more like experiencing the story. Then there are those that have a great gift for creating imaginative and off the wall ideas that mere mortals just shake their heads at in wonder and amazement. Some area actually gifted with both and they are the great ones we all admire.
I just finished reading a book by one of my favorite new authors and he has a gift for dialogue. He has some amazing ideas for setting and his characters are layered, complex and interesting. His plots are full of twists and turns too, he is really very talented but I have a nit to pick. Way too much description! I mean WAY TOO MUCH. Paragraphs of detailed minutia. I actually skipped entire sections because I just didn’t care. I started in, but the things he was describing were so complex that I wasn’t able to see it clearly in my mind’s eye. After a while I just quit trying. If he started off on another wave of informative adjectives I just escaped to the next paragraph, and then the next one often times. They were superfluous to the story, but he apparently felt I needed to understand how many great ideas he had that he was compelled to share with me. I understand this desire. Authors fall in love with the worlds they create and the more different from normal they are, the more the desire to describe increases.
This is a lesson many of us need to heed. We just spent an enormous amount of time building that world with all kinds of cool environments that nobody has ever thought of before and we are just dying to share them with you. But the only description we should be sharing with you is stuff that is germane to the story and the character that is carrying the perspective. Some description is of course necessary, but the trick is not going overboard with long paragraphs of stuff that will have no impact on the character of affect the flow of the story. If anything I tend to be too sparse with my descriptions, so it really bothers me when someone goes the opposite way and loads up on the descriptives. Where do you fall on the descriptives scale? I know I’m way on the side that has very little.